Popular Experiment
Madelaine Millar
*synth beats* bright plastic blue screen green screen *auto-tune screams* chunky glasses tuned-in apathy *boy band* drive fast die young pretty corpse *twangy guitar*
The Rollick Magazine Fiction Prize is valued at $1,000 and is awarded for the best piece of unpublished short fiction (2,000–6,000 words).
Rollick’s mandate is to attract cutting-edge, quality stories that inspire real engagement. We will consider work that express unique and original thought. Ideally, we want you to share stories that let us explore the world through your eyes.
The Prize is open to writers of any nationality writing in English aged 16 and over at the time of the closing date.
Entries must be entirely your own work. Any evidence to the contrary will result in immediate disqualification.
Entries must not have been published, self-published, published on any website, blog or online forum, broadcast, have won or been placed (2nd, 3rd, runner up etc) in any other competition.
If your entry has been long-listed or shortlisted in other competitions, and provided it has not won a prize or been published, it is eligible.
Simultaneous submissions are allowed but will become ineligible should they win a prize elsewhere or be published prior to the date of prize giving. Entry fees will not be refunded.
You must inform us immediately should your entry be published or win a prize elsewhere.
Entries submitted posthumously are not eligible.
You can send in a range of writing that aligns to the broader category of fiction: Short stories, poetry, memoirs, confessionals, experimental writing, and anything else in between.
We accept simultaneous entries, meaning that your work can be offered elsewhere during the judging of the Rollick Prize.
However, if any entry is selected for our longlist, the entrant will have 24 hours to decide if they wish to withdraw their story or remain in contention for the Rollick Prize.
In order to be eligible to progress to our shortlist, all works must remain exclusive to the Rollick Prize.
*synth beats* bright plastic blue screen green screen *auto-tune screams* chunky glasses tuned-in apathy *boy band* drive fast die young pretty corpse *twangy guitar*
Can’t you let the film spool unseen on the stained floor? Its frames forever static as my fingers resplice our hands. Let my battalions of
At first, the dreams were jagged and bewildering, like migraine lightning or a Dali canvas. Later, they softened into rolling scapes of sea or land,
Bending at the knees, Camilla crouched down to view the lipsticks on the lowest shelf of the drug store cosmetic aisle. The hem of her black dress grazed the linoleum floor as her fingers hovered over the edge of the shelf.
I. I see a video of women cycling in short dresses talking of how not to flash. They wide-angled their legs, pull the back of
I saw everyone, having fallen short, on the ground. At last I joined Everyone, their force being much, and greeted the ground too. It’s comfortable
An independent literary magazine for contemporary fiction, thought, and opinion about popular culture, society, and everything on the periphery.
