Fragmented Silence, Fragmented Sound
Constance L. Lieber
How do you photograph silence? Is it represented by an empty room? A sleeping baby? A seascape?
In the bedroom they used to share, the real estate agent opens the blinds, letting in the mid- morning sun, then walks toward the desk and jots down her first notes: Office chair required. Small plant. Too many books.
How do you photograph silence? Is it represented by an empty room? A sleeping baby? A seascape? Such photos may lend a sense of quiet to the onlooker, but in reality, such scenes are not silent.
Hauling my suitcase up the unevenly-paved alley, I glance at the second-storey room I share with Komal.
Mister Pope stood in line at the Bank D’Amemzionne, where he’d come to make his regular cash withdrawal to cover the upcoming week’s expenses.
How do you photograph silence? Is it represented by an empty room? A sleeping baby? A seascape?
I stood in my kitchen, hands slightly palsied as I poured myself a glass of water from the sink.
“I’m thankful I’m not a horse,” Marla says, as she reaches for the saltine sleeve inside her tote bag.
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